Your Movie’s Being Screened At A Film Festival – Here’s How To Make T...
From befriending the organizers to being honest during the Q&As, LOEV filmmaker Sudhanshu Saria shares his festival hacks
Film Festivals
IFFAM 2019 Review: In Todd Haynes’ Dark Waters, Mark Ruffalo Elevates Difficult Sourc...
For those familiar with Todd Haynes’ filmography, a gritty and draining environmental drama is a charming surprise
IFFAM 2019 Review: Proxima Is A Stirring Subversion Of The Personal Space Opera
Proxima shines a dull, unglamorous but necessary light on a single parent who must struggle with the cost of intergalactic greatness
IFFAM 2019 Review: Kiwi Film Bellbird Is A Heartbreaking And Hopeful Portrait Of Mascul...
Bellbird is a moving and quietly observational portrait of the filmmaker’s rustic roots
IFFAM 2019: Comedy Is A Serious Device In Taika Waititi’s Brilliantly Irreverent “J...
By being a conqueror disguised as a clown, Jojo Rabbit becomes a film of our times. Those who choose to be offended by its ‘trivialization’ of Nazi Germany are, in effect, admitting that they are uncomfortable to look in the mirror every morning.
IFFAM 2019 Review: “Dance With Me” Reveals The Cultural Relevance Of A Rare Japanes...
Ayaka Miyoshi is mesmerizing as the central character, and an excellent dancer to boot. She does a fine job of walking the thin line between a movie character and a girl who becomes a movie.
Adil Hussain On Bonsai And Bachchan And The Art Of Acting, At The Dharamsala Internatio...
Plus, brief thoughts on ‘Birha’, ‘Oh That’s Bhanu’, ‘Eeb Allay Ooo!’, ‘For Sama’, and why close-ups are necessary
Ajyal Film Festival: Qatar’s Baby Steps Towards Building A Film Culture
The state-backed film festival in Doha is aimed at children and young adults of Qatar. Notes from the just-concluded seventh edition.
Film Bazaar 2019: Is There A Formula To The Perfect Movie Pitch?
When there are so many ideas and potential films floating around, how does one stand out? Is there a trick to making yourself heard?
In Vinod Kamble’s ‘Kastoori’, A Dalit Boy Yearns To Free Himself Of The S...
At the Dharamsala International Film Festival, a powerful drama about a boy who cleans toilets and performs post-mortems in order to pay for school.
Aamis Movie Review: Lyrical, Layered And Quietly Horrifying
The film premiered at the ongoing Tribeca Film Festival this week
‘Horror Movies Are Art’: Midsommar Director Ari Aster On Why He’s Ang...
The filmmaker talks about putting himself into his characters, seeing Hereditary and Midsommar as companions and why he finds the term ‘elevated horror’ snobbish
