How A Chaplin Composition Inspired Songs From Salil Chowdhury, R.D. Burman, Rajesh Roshan And More
In the series Carbon Copy, we give you trivia on the connecting dots between many countries’ music. This week, we talk about a song from Charlie Chaplin that spawned several recreations including versions in Hindi, Tamil and Bengali
Amruta Khanvilkar: ‘I’m A Simple Girl Who Wants To Impress You With A Good Performance’
The actress on how she landed a role in Meghna Gulzar’s Raazi and wanting to encourage young girls in conservative homes to pursue their acting dreams
Harish Kalyan On His Pyaar Prema Kaadhal Performance: STR Said I Had Nailed It
The actor spoke about what the film’s box-office performance means to him, his equation with co-star Raiza and the advice he got from his idol STR
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Top 50 Memorable Bollywood Characters: Kantaben from Kal Ho Naa Ho
In Nikkhil Advani’s 2003 film, veteran Marathi actress Sulbha Arya’s character might seem like a flimsy device of comedy, but at the time she was a ready instrument of the masses, designed to make them laugh at – rather than be shameful of – their own flaws
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Top 10 Kannada Songs of July
From Yenammi Yenammi from the film Ayogya to Manase from Trataka, we recap the best Kannada songs of last month
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Crisscross Movie Review
One city, five women, and a day that will change their lives forever – Birsa Dasgupta’s new film is a tale of dystopian urban relationships that has the feel of a ‘thriller’
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‘Make Mulk And Pink A 100 Crore Film, And I Won’t Have To Do A Judwaa 2’: Taapsee Pannu
The Manmariziyaan actress on making her peace with nepotism in Bollywood and still receiving flak for doing Judwaa 2
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Don’t Skip The Intro: How The Opening Credits Of Sacred Games Was Created
Vijesh Rajan, Director of Mumbai-based VFX firm Plexus, talks about meeting Tibetan artists for the Mandala art in Sacred Games, being censored in Angry Indian Goddesses, and his favourite opening credits
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Vishwaroopam 2 Movie Review
A not-exactly-needed sequel, but a solid delivery mechanism for Kamal-isms
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Harish Kalyan’s Pyaar Prema Kaadhal: What Works, What Doesn’t
Debutant director Elan’s film is an endearing musical love story which transcends the usual cliches and offers a refreshing viewing experience
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Takht Will Be The K3G Of The Mughal Era: Karan Johar
The filmmaker on making his biggest film yet, matching up to the bar set by Bhansali for historicals and, giving his writers centre stage
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I Will Now Lose The Filter: Anubhav Sinha On How He Went From Making Tum Bin 2 To Mulk
The filmmaker on finding his voice and why he no longer wants to make films that are purely customised for the box office
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