Search Results

The director Ratheesh Balakrishnan Poduval brings a dual tone to the film by using comedy while addressing serious issues

The film feels like a bunch of funny YouTube videos put together, but the end result is middling.

Imtiaz Ali’s confessional cinema looks nowhere as honest as his global counterparts’: It feels more like a mockery of the heart than a punch to the gut

What Ashwath Marimuthu does with OMK is define the gap that separates friendship from love.