While watching Madonne Ashwin’s Mandela (2021), I felt happy to find an invisible and purely coincidental link to K. Balachander’s 1968 film Ethir Neechal
Mandela is The New York Times meets Amar Chitra Katha, an entertaining comic book treatment of a serious issue: what money and caste do to our elections.
Looking for political correctness in a film headlined by poor-old Yogi Babu is like Googling the meaning of a Vijay Antony song, but even so Cocktail is a film where even its regressiveness is borrowed