Background scores are just like a pinch of salt. Hardly do we notice their presence but movies without them sound incomplete, feel bland and seem tasteless.
“SRK is once again playing SRK” has been a common grouse against him for years, but that is exactly what has enabled him to carve a unique place for himself in his audiences’ hearts
DDLJ had everything. Young and puppy love, a callback to the NRIs, wonderful songs and an ending that became the benchmark of all endings – the train sequence
There isn’t anything new to say about the film that hasn’t already been said through multiple books and a plethora of articles; yet, the film has managed to impact every individual differently
Given the number of 25-year anniversaries we’ve celebrated lately – Rangeela recently, DDLJ soon – it got us thinking: Was 1995 a landmark year for commercial Hindi cinema?
Ahead of Valentines Day, from Veer Zaara to Imtiaz Ali’s Tamasha, a look at what exactly constitutes a declaration of love is in the context of Hindi cinema