Netflix
Penalty On Netflix Is A Terrible Football Film With No Sense Of Craft
It’s bad enough for a sports film to be so culturally awry, but it’s worse when the technical level is irredeemable
The Startling Similarities between ZNMD & Aranyer Din Ratri
An all-boys trip is at the centre of the Zoya Akhtar blockbuster and the Satyajit Ray classic. But they have more resemblances than meets the eye
#AnneFrank - Parallel Stories: The Holocaust Documentary Lacks Finesse
The documentary gives weight to the emotional testimonies of the Holocaust survivors but does very little with the historical accounts it tries to offer
Streaming Calendar: 33 Movies And Shows To Watch Out For In July 2020
From warrior nuns on Netflix, to Abhishek Bachchan’s streaming debut in Amazon Prime Video’s Breathe: Into The Shadows, here are our picks of what’s releasing this month across platforms.
Netflix's Homemade: An Anthology Whose Sum Is Greater Than Its Parts
Homemade, which is largely composed of personal diaries and philosophical reflections, is a rare peek into the restless head of artists, and by extension, a peek into our own minds
An Interview With Bulbbul's Tripti Dimri And Avinash Tiwary
Probably what ‘having arrived’ means is ‘keep going ahead’, say the actors
Kappela, With Anna Ben, Roshan Mathew & Sreenath Bhasi: A Rewind
With these actors, the film is certainly watchable. But looking back, I felt cheated at the end, by the very obvious attempts at misdirection.
Dark’s Season 3 is an Entangled, Yet Brilliant Finale
Humanity, family, and the apocalypse; Dark’s Season 3 establishes the show as one of Netflix’s greatest creations
Producer Rana Daggubati On Krishna And His Leela, The OTT Space & More
Producer Rana Daggubati and director Ravikanth Perepu speak about their project Krishna And His Leela, and how OTT has changed the game for filmmakers.
Netflix's Athlete A Is One Of The Great Investigative Documentaries
Athlete A, a film that spotlights the biggest sexual abuse scandal in U.S. sports history, provides two aspects that any great true-crime documentary must: context and narrative.
Netflix's Eurovision Pushes The Limits Of Cringe Comedy And Fails
David Dobkin’s film aims to be so offensive that the viewer is pummelled into ridiculed submission
How Anvita Dutt Rewrites the Fairytale in Bulbbul
Dutt on her lyrical directorial debut, and why Bengal is a natural choice as the setting for such stories
