Ghamak Ghar, following in the footsteps of hyper-naturalistic greats like Chaitanya Tamhane’s Court and Somnath Pal’s animated short Death of A Father, is shot in the narrative language of a documentary
On a storytelling level, Season 2 of After Life is easy to dismiss. It plays out like a repeat of Season 1. There’s no newness. But grief is not a narrative; it is the silent madness that numbs a narrative into submission.