What’s most interesting about Pankaj Kapur’s character in the 2014 film is director Homi Adajania’s understanding of his toxic masculinity – and, by extension, the inherently flawed and inhumane equation between an artist and a muse
Ketan Mehta’s adaptation of one of Saadat Hasan Manto’s final short stories starring Pankaj Kapur and Vinay Pathak isn’t a bad film, but it certainly defeats the purpose of translating words into moments.