Keshu Ee Veedinte Nadhan: As Fun As A Day At The Passport Office
Inside the glorious mess that the film is, there is a half-decent idea that could have made for a watchable comedy.
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Malayalam
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A short film idea stretched out to two hours
The film doesn’t even try to double-guess the already tired viewer, nor does it subvert the themes used obsessively in the Vineeth Sreenivasan cinematic universe
The Crew Of Bheemante Vazhi Created Its ‘Lived-In Feel’
Megha Thomas, Divya S Nair and Chinnu Chandni explain the many advantages of a script read before the shoots — a rare silver line opened up thanks to Covid-time restrictions.
Sumesh And Ramesh Review: A Vague Comedy Where Nothing Is At Stake
The film’s never really reaching for the stars but it appears too comfortable staying still as long as the isolated comedy scenes work well.
I Will Surely Play Villain If I’m Excited By A Script: Kunchacko Boban
After the release of the hit, Bheemante Vazhi, the actor explains the new path he forged for himself that had led him to films like Nayattu, Anjaam Pathira and more.
Ajagajantharam Trailer Talk: Chaos Ensues Amidst A Temple Festival
The film is Tinu Pappachan’s second directorial venture, set amidst an annual festival when unforeseen circumstances lead to chaos.
Kaaval Movie Review: Fun 90’s Nostalgia In A Bland Mass Movie
After dozens of films that milked nostalgia for comedy and romance, here’s a film that does it with a genre (and a star) we had forgotten to return to.
Aaha Movie Review: An Ultra-Generic Sports Drama That Does Too Little
The issue with Aaha isn’t really its over reliance on tired sports film clichés but just how they appear at exactly the point you expect them to.
I Wouldn’t Change A Thing About ‘Kasaba’: Nithin Renji Panicker
Before the release of his second film Kaaval, director-writer Nithin Renji Panicker opens up about recreating ‘vintage Suresh Gopi’, memories of watching the first show of ‘The King’ and why the infamous ‘Kasaba’ controversy hasn’t affected him.
Jan.E.Man: An Original Dark Comedy With An Excellent Ensemble
Jan.E.Man is the film you would have got if Lijo Jose Pellissery had co-directed Ee Ma Yau with Rafi Mecartin
I Was Extremely Nervous Acting In Front Of People I Knew: Ganapathi
In this interview, director-actor sibling duo Chidambaram and Ganapathi talk about all things friends, family and influencers.
Kurup Revived The Theatrical Business Model For Malayalam Movies
With the team announcing a gross collection of Rs.50 crore within four days of its release, Kurup’s success proves that the pandemic hasn’t deterred the might of a big film and a massive opening
