Nenjuku Needhi: Arunraja Kamaraj Makes A Damp Version Of Article 15
In the context of Tamil cinema’s history of anti-caste films, Nenjuku Needhi, starring Udhayanidhi Stalin, is rather weak
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Article 15
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Trailer Talk: Udhayanidhi Stalin’s Nenjukku Needhi Releases on May 20
Directed by Kanaa fame Arunraja Kamaraj, the film is a remake of Article 15 and is slated to hit the screens on May 20
10 Years Of Ayushmann Khurrana - The Actor On His Top 5 Roles
From Shoojit Sircar’s Vicky Donor to Sriram Raghavan’s Andhadhun, the actor talks about some of his most memorable scenes and characters
Top 5 Patriotic Films: Biopics, Cross-Border Love Stories And More
Modern Hindi cinema has transitioned into more nuanced and subtle ways of evoking patriotism
Ayushmann Khurrana On Method Acting And Staying Vulnerable
I have survived by taking risks, says the Andhadhun and Article 15 actor in an exclusive session on FC Front Row
The Savarna Saviour Syndrome And The Politics Of Representation In Article 15
The film upholds and celebrates the character of Ayan Ranjan as a kind of urban, savarna Übermensch who becomes the sole saviour of the Dalits
15 Movie Endings That Left Us Unsatisfied
An ending can elevate an average film and make it great… or it can go awry in a way that even a genuinely good premise can’t save its aftertaste
Why Sonia Faleiro’s The Good Girls Deserves A Screen Adaptation
Based on the murder of two teenaged girls, Faleiro’s narrative non-fiction is a great candidate for screen adaptation given its relevant and researched content, and the current excitement for adapting literary works
Article 15: A Relevant 'Message' Wrapped In An Engaging Narrative
That is the beauty of the movie: it does not show a rose-tinted view of the outside world; instead, it makes us look inside, at our lack of understanding and often indifference
Mohammed Zeeshan Ayyub On Completing 10 Years In Films
The actor on portraying a positive picture of a politician in the Amazon Prime series Tandav, why he won’t work with colleagues whose politics he doesn’t agree with, and how OTT is creating its own star-system.
Aakrosh, In Which The Oppression Is Invisible And The Oppressed, Voiceless
The oppressed don’t plead their case. There is no case to plead. They have been told their place in the world the moment they entered it and justice isn’t for them to wish for.
The Dangerous Optimism of Thappad
The film’s commitment towards ensuring that men are not seen in the binary of good or evil but as victims of patriarchy too is a lofty goal, indeed, but fails to make reparations towards that end
