Revathy, with her long track record, her willingness to lend voice to difficult causes, writing and making cinema that she believes in, is an inspiration to her contemporaries and actors of the next generation
In the case of Sukumari, though she effortlessly donned diverse roles, there was always an element of excess or extra flourish in her performances, which was never the case with Lalitha, whose performances were more precise and subtle
“Let all of Kurukkanmoola burn down to ashes”, somebody wrote on social media by sharing an image of Shibu and Usha — as though the film’s climax did not really matter. The viewers could easily identify with the antagonist as an outcast with a forbidden desire. How do we understand this cross-identification?