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Saawariya | Anupama Chopra & Rahul Desai | FC Retake | Film Companion

Team FC

In the run up to Sanjay Leela Bhansali's upcoming series Heeramandi, Anupama Chopra & Rahul Desai sit down to revisit the Ranbir Kapoor-Sonam Kapoor Ahuja starrer Saawariya, 15 years after its release. They discuss the romance, art director Omung Kumar's unreal sets the timeless music by Monty Sharma, being addressed the 'blue' film, the battle with Om Shanti Om, and more.

#Saawariya #SanjayLeelaBhansali #RanbirKapoor #SonamKapoor #GangubaiKathiawadi #Bhansali #AnupamaChopra #RahulDesai #SonamKapoorAhuja

0:00 – We're talking about Saawariya in FC Retake
0:54 – Watching Saawariya 15 years later
2:50 – The film's larger than life world
4:28 – Sex workers playing important roles in Bhansali's films
5:02 – Creating drama & the RK homage
6:30 – The presence of superstars, the director's indulgence
9:37 – How did Ranbir Kapoor & Sonam Kapoor Ahuja fare as newcomers?
11:11 – The magical music of Saawariya
13:26 – The objectification in Saawariya
14:14 – The infamous Bhansali love triangle trope
14:50 – Ranbir Kapoor's origin of the 'manchild' trait
16:42 – The battle between Saawariya & Om Shanti Om
19:49 – What would you like us to discuss next? Comment below.

Edited by: Rahul Krishnan
Producer: Sneha Menon Desai
Asst. Producer: Vinisha Tauro
Production Team: Vir Suryawansshi, Rahul Chaudhary, Newel Mathew Sailesh

The Film Companion is a web channel intended to promote Indian cinema through films review, interviews, discussions, video essays and analytical compilations. It is intended primarily for the purpose of encouraging informed discussions, criticism and review of cinema and towards such purpose the programs use short extracts of cinematograph films, sounds recording and photographic works. These clips and extracts are of a minimal nature and the use is not intended to interfere in any manner with their commercial exploitation of the complete work by the owners of the copyright. The use of works are in compliance with the fair dealing exception provided under Sec. 52 of the Copyright Act, and we assert our use of the works under the exception provided for criticism and review.

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