Love Aaj Kal (2020) is a new Imtiaz Ali: One who prefers dialogues to lyrics. One who prefers silence to music. But I wonder, if the best way to understand this film is through its lyrics, its music.
Both Love Aaj Kal and Shubh Mangal Zyada Savdhaan lack the snap and crackle of a good rom com. But it’s not just the bad writing, a different love has taken over the industry—the love for the nation
The composer of Love Aaj Kal, and the upcoming 83, Lal Singh Chaddha and Brahmastra, on why there maybe a future where he only does the background score of a film
Imtiaz Ali’s confessional cinema looks nowhere as honest as his global counterparts’: It feels more like a mockery of the heart than a punch to the gut