Saif Ali Khan’s 10 Best Performances, Ranked
Khan is not perfect, he never has been, and maybe his imperfection has been his most enduring strength
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Love Aaj Kal
15 posts
Top 5 Best And Worst Hindi Films of 2020
From Sadak 2 to Eeb Allay Ooo, a round-up of the stories of the year gone by
The Year Of The Cringe: A List Of All Things Ugh In Entertainment
From an owl-peck in Sadak 2, to other more concerning, less imaginative pecks, here is a list of all things cringe
I’ve Got The Maximum Film Offers After Love Aaj Kal: Kartik Aaryan
‘I never wanted to leave an Imtiaz Ali set. I just wanted to grasp how he briefs his actors,’ says the actor
Kartik Aaryan Hopes He Gets To Do The Hindi Remake of Allu Arjun’s Ala Vaikunthapurra...
I can’t think of anyone but myself playing Allu Arjun’s part, says the Love Aaj Kal actor
Love Aaj Kal, With Kartik Aaryan And Sara Ali Khan, Is On Netflix
LAK-2020 is not first-class IA. But it’s engaging, and very much of a piece with his other works — in very surprising ways.
The Only Way To Appreciate Love Aaj Kal Is Through Its Music
Love Aaj Kal (2020) is a new Imtiaz Ali: One who prefers dialogues to lyrics. One who prefers silence to music. But I wonder, if the best way to understand this film is through its lyrics, its music.
Girl Talk: Is The Bollywood Romantic Comedy Dead?
Both Love Aaj Kal and Shubh Mangal Zyada Savdhaan lack the snap and crackle of a good rom com. But it’s not just the bad writing, a different love has taken over the industry—the love for the nation
Pritam Weighs In On Multi-composer Albums: ‘I Should Call Up Tanishk Bagchi’
The composer of Love Aaj Kal, and the upcoming 83, Lal Singh Chaddha and Brahmastra, on why there maybe a future where he only does the background score of a film
Love Aaj Kal Movie Review: A Confounding Film About Confused People That Misses The Mar...
This entire 2-hour, 21-minute wrestling between love and career could have been avoided with a single conversation
Love Aaj Kal Movie Review: A Catastrophic Love Story That Manages To Offend Both Boomer...
Imtiaz Ali’s confessional cinema looks nowhere as honest as his global counterparts’: It feels more like a mockery of the heart than a punch to the gut
