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Tilda Swinton, Idris Elba Interview | Anupama Chopra |Three Thousand Years of Longing| ...
Tilda Swinton & Idris Elba on how they came to be part of the film ‘3000 Years of Longing’, working with filmmaker George Miller, the expectations from cinema goers…
Aditi Rao Hydari Interview with Anupama Chopra | Jubilee | Cannes 2022 | Film Companion
Aditi Rao Hydari chats with Anupama Chopra about the need for inclusivity in the Indian film industry, living the ‘Mani Ratnam dream’ and how it saved her and how…
Pa. Ranjith & Aditi Anand Interview with Anupama Chopra | Vettuvam | Film Companion
Filmmaker Pa. Ranjith & producer Aditi Anand are in conversation with Anupama Chopra about the poster launch of #Vettuvam at Cannes 2022. #PaRanjith also spills the beans about a…
Pratidwandi | World Cinema Movie Review by Anupama Chopra | FC at Cannes | Film Companion
Watch Anupama Chopra’s review from Cannes Film Festival 2022 of the restored version of Satyajit Ray’s Pratidwandi. #Pratidwandi #FCatCannes #Cannes2022 Edited by: Vaishnavi Anapuzha Producer: Sneha Menon Desai Asst.…
Kaathuvaakula Rendu Kaadhal: Breezy But A Criminal Waste Of Potential
One walks out of the theatre with a shrug and a meek smile, at best
Guilty Minds Presents a Strong Case for Authenticity in Storytelling
Shefali Bhushan tells it like it is
Everything That Made News In Entertainment From The South This Week
From trailers and teasers to new film announcements, here’s a quick recap of the week that went by
Nenjuku Needhi: A Disproportionately Loud Film
Unlike Article 15, which attempts to be as grounded and minimal for us to learn about the complex caste relations, its remake Nenjuku Needhi is amplified and slides into melodrama ever too often, portraying things in sharp black and white
Chhatrapal Ninawe’s Ghaath And How Studios Mistreat Indie Filmmakers
The filmmaker’s allegations against Jio Studios is another reminder of how studios disregard the effort and passion poured into small, independent films, which vanish without a trace
Cannes 2022: Pooja Hegde On Dealing With Failure
‘As long as I am giving my best to the film, that’s what matters to me,’ says the actress
Love, Death + Robots Volume 3 Review: Ghost in the Machine
Despite its assortment like offerings, the new season of the animated anthology on Netflix is glued together by thematic unity and a worldview
12th Man Review: A Great Setup Never Develops Into A Great Thriller
As an audience, we’ve trained ourselves to never take Jeethu Joseph lightly, especially when it comes to his ability to keep springing surprises. Which means that it’s no longer enough for the film to move unpredictably, but the twists have to also spring up and bite you
Cannes 2022: Hina Khan On The Class System Between TV And Film Actors
‘You have to create your own table and your own seat,’ says the actress
Nenjuku Needhi: Arunraja Kamaraj Makes A Damp Version Of Article 15
In the context of Tamil cinema’s history of anti-caste films, Nenjuku Needhi, starring Udhayanidhi Stalin, is rather weak
Shekar Movie Review: An Earnest Remake That Needed Some More Bravery
Shekar runs out of freshness and sticks to not just the beats but even some of the shots and frames from the original
Wladyslaw Strzemiński's Love Song: Afterimage
The film pays homage to the artist’s resistance to state-sponsored oppression
Anurag Thakur Interview with Anupama Chopra | Cannes 2022 | Film Companion
Anurag Thakur, the Union Minister for Information & Broadcasting and Youth Affairs & Sports, speaks to Anupama Chopra about India being the ‘country of honour’ at the Cannes Film…
