“You never stop learning as a cinematographer, every shot you take is like a new beginning for you and that is what keeps it going”, says the director of Jack N’Jill
A film as joyous as this was, until recently, marginalized by its forbidding “arthouse” tag, despite it employing the same structures as folk tales of yore and incorporating folk songs
The cinematographer returns to Malayalam after two decades with the Andhadhun remake. He explains why he loves Moondram Pirai more than Sadma. He also recalls the striking beauty of ‘Nadha Nee Varum’, shot by his brother.
The monotones of Kumarankari from Amen, the nameless ‘Ikkara’ from Iblis with its own set of rules and the unforgettable fictional village in Priyadarshan’s Thenmavin Kombathu—Satvik Kumar revisits these unique universes to see how Malayalam films dealt with fantastical lands
Adapted from the book Raiders from the North, The Empire is visibly conceived to be the beginning of a multi-part franchise spanning generations of Mughal rulers
Produced and presented by Mani Ratnam and Jayendra Panchapakesan, Navarasa features 9 short films with the proceeds set to go toward the well-being of film workers affected by the pandemic. The anthology releases on Netflix on August 6.
Produced and presented by Mani Ratnam and Jayendra Panchapakesan, Navarasa features 9 short films with the proceeds set to go toward the well-being of film workers affected by the pandemic. It’s set to release on Netflix on August 6.
Framing a broken man through a broken home in Chemmeen. Holding hands with ten Kathakali dancers while skipping along the fields in Chandranudikkunna Dikkil. Kumbalangi Nights and how it became our Google Image Search for ‘bioluminescence’ and Mary’s beehive in Premam. Here’s a wedding photo album of a marriage between Malayalam cinema and its beloved cinematographers, costume designers and art directors