Churuli Trailer Talk: Lijo Jose Pellissery’s New Film Looks Hypnotic
Like the trailer of Super Deluxe, the voiceover narrating an ancient tale is being used to tell a story set in today’s time.
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Ee Ma Yau
Jallikattu: Nativity In Cinema
The primary reason behind Jallikattu’s success is its superb craftsmanship in constructing a world that is grounded in reality
First Shot Last Shot: Lijo Jose Pellissery’s Ee Ma Yau
The director talks about the opening and ending scenes of his 2018 satire, starring Chemban Vinod Jose and Dileesh Pothan
Interview: Vincent Vadakkan, Writer Of Fahadh Faasil-Starrer Trance
Like a painting, you can derive your own meaning from Trance. But I wrote the film as the reality, as though it is actually happening, says Vincent Vadakkan
New Malayalam Cinema 101: 25 Recent Films With Subtitles On OTT
You’ve heard of Premam, you’ve might have seen Bangalore Days and you’re nursing a crush on Dulquer Salmaan. How about a few more movies to transform this tiny crush into a full-fledged romance with recent Malayalam cinema?
Top 5 Social Media Accounts You Should Follow For Your Daily Music Fix
In fraught times, we look towards art. Here is a list of artists and platforms to look out for this week.
It's Time To Confess To Your Most Controversial Movie Opinions
Life, as we know it, is never going to be the same again. Could there be a better time to air out our most unpopular opinions?
Download The Script Of Lijo Jose Pellissery's Jallikattu
Written by S Hareesh and R Jayakumar, Jallikattu is an experimental film that explores the relationship between humans and Nature.
Download The Script Of Lijo Jose Pellissery’s Ee.Ma.Yau
Despite the sombre setting, the film takes the form of a dark comedy, with several laugh-out-loud moments popping up every few minutes.
Just a Buffalo, or not?: A Nuanced Take On Lijo Jose Pellissery’s Jallikattu
What to see in Jallikkattu if you can’t see a good film? Pune-based academic Jenson Joseph holds forth.
My Movie Diary: In Conversation With Jallikattu Director Lijo Jose Pellissery
The reticence of Malayalam artists to speak is refreshing but I for one, want more insight into how they are making all these terrific films
Lijo Jose Pellissery’s Method in Madness
The Malayalam director on Jallikattu, the sense of place in his films, and how there was a shift in his filmmaking approach after his third feature
My Movie Diary: Looking Back At MAMI Friendships, Networking At Bollywood Diwali Parties
Who knows where a conversation between Oscar-nominated director Hany Abu–Assad, Oscar-nominated director Fernando Meirelles and Vetrimaaran might lead?
Jallikattu Movie Review: Lijo Jose Pellissery Gives A Masterclass On How To Make A Movi...
The invention, the joyous energy in the filmmaking left me with such a high that I didn’t particularly care that it all has to ‘mean’ something.
A Look At The Indian Films At The Busan International Film Festival 2019
From a Deepa Mehta retrospective to the world premiere of Vineet Singh-starrer Aadhaar, this year’s lineup boasts of 18 Indian films
With ‘Kalki’ And ‘Thanneer Mathan Dinangal’, Formula Returns To...
Tovino Thomas doesn’t get a romantic interest. But then, his real love seems to be the approximately four thousand cigarettes he consumes through the course of the movie.
A Look At The Indian Films At The Toronto International Film Festival 2019
From The Sky Is Pink to Moothon, we list the Indian titles that have been announced so far at TIFF 2019
Virus Director Aashiq Abu On The Dangers of ‘Lazy Filmmaking’ And Making A New Vers...
The leading Malayalam director on the “very small” Kerala industry, its unforgiving audience and undoing the mistakes of Gangster
Bhaskar Hazarika’s Aamis Is A Weird And Fascinating Meditation On Man, Meat, And Love
The Assamese language film – Hazarika’s second feature after Kothanodi – explores the uncanny relationship between food and sex. A chat with the filmmaker following its screening at the New York Indian Film Festival
Tangentially Speaking: Super Deluxe – Racing Past Heroism And Gender Divides
The stories in Super Deluxe are of the here and now. They do not begin with ‘once upon a time..’ and end with ‘they lived happily thereafter..’.
