Expecting political correctness from Rajesh is like expecting a happy ending (no pun intended) from Bala but can’t we expect at least a few jokes to land? Shouldn’t the jokes at least offend us in new ways?
The director/music director/producer/distributor talks about how acting was all that ever mattered to him, acting with a rodent for ‘Monster’ and the unforgettable years he spent with his father that made him fall in love with cinema
Flying as a metaphor for women breaking away from the shackles of patriarchy isn’t something we haven’t seen before. But what sets ‘Uyare’ apart is how it’s intrinsically woven into the screenplay without feeling forced
A large part of why the show succeeds is in the way Appani Sarath has performed. Rage is something the Angamaly Diaries star can play in his sleep but notice how well he emotes in scenes of deep regret and sadness