Team FC
"In the Mood for Love" is largely largely devoid of dialogue the camera then is in service of the actors, and the film goes the extra mile to elevate Maggie Cheung's beauty in a way that its becomes an entity that contributes to the atmosphere created by the cinematography.
Bhansali's women credit to the village of costume designers, make up artists, hairstylists, lightmen and many more have a legacy of being extremely beautiful. However in 'Padmavat', there was a war for Khilji to seek the beauty of the queen.
One of the finest things that Tarkovsky so brilliantly employed in this incredibly poetic, gorgeously beautiful, and extremely hypnotic film is Terekhova's beauty
It is interesting to observe how Aishwarya Rai's beauty was almost employed as a cinematic element. Although it was Bhansali who managed to flaunt it to its fullest, with some shots in 'Devdas' just focusing and highlighting Paro's beauty.
Wim Wenders used an unusual love story in this timeless masterpiece. The most powerful and hypnotic scenes are of Marion dancing and playing. Every frame is a painting, the ones with Marion the most beautiful of them all.
Hindi cinema treats its performers, prostitutes and dancers with incredibly calculated glamor and beauty. Rekha in 'Umrao Jaan', is one of the earlier examples of the same. The camera through the screenplay and songs, always focused on her expressions.
Thank You For Reading!