Rahul Desai
Bejoy Nambiar's "Dange" challenges viewers with its sensory overload, encompassing a frenetic blend of audiovisual elements. The film's exuberance borders on chaotic, leaving little room for traditional storytelling.
Set in the tumultuous setting of St. Martin’s College in Goa, "Dange" focuses more on capturing a particular atmosphere than developing a coherent narrative. Characters navigate a world filled with drugs, conflicts, and fleeting romances, overshadowed by the impending college fest.
St. Martin’s College exudes an atmosphere where hyper-masculinity reigns supreme, setting the stage for conflicts between characters like Xavier and Yuva. Student politics intertwine with personal rivalries, adding layers of tension to the already volatile environment.
Nambiar's filmmaking style prioritizes spectacle over substance, bombarding the audience with flashy visuals and disjointed storytelling. Scenes unfold in a whirlwind of gimmicks, leaving little room for coherence or emotional depth.
Despite its ambitious attempt at a single-take sequence, "Dange" falls short of delivering a compelling cinematic experience. The prolonged shot lacks choreographic finesse and fails to engage viewers, highlighting the film's shortcomings.
"Dange" emerges as a polarizing cinematic experience, with its dizzying array of stylistic choices and lack of narrative cohesion. While some may appreciate its audacity, others may find themselves overwhelmed by its cacophony of visuals and erratic pacing.